Saturday, April 2, 2022

CANDY'S TALKING SCALE

Send me good thoughts...
That is the working title of my live action screenplay I am working on...Why Candy? Because I like candy and am not one of those "sugar is death" snobs...and it's ironic because the script is about what it's like to be fat in America...from all sides..believe me, not all of them sweet. Also my scale for my daily medical weigh-ins talks because my eyesight is too poor to read a regular scale...and let me tell you, that robotic woman is my nemesis. I dumped the scale 40 yrs ago...now she's baaak. I am breaking all the "rules" of screenwriting...why not, I spent years learning the rules to break, and I can if I want. The script alternates between "present day"--with Candy relatively thin (see pix)...and flashbacks (supposedly a no-no) to Candy's various experiences with being fat...Her dad calling her names like "baby elephant"...Her Mom pointedly not ordering dessert for herself so Candy wouldn't...The catcalls from boneheads in trucks...The stupid lack of understanding of the very complex phenomenon of obesity, far more complicated than eat less, move more...Back and forth present--past... I have two indie producers waiting to read my script...I even thought of producing it myself...but my filmmaking partner is thousands of miles away and this is probably not his thing...For now, need to write...and am letting my qualms about learning the new version of FINAL DRAFT intimidate me...or is it qualms over the trip down Fat Memory Lane.... I am supposedly on borrowed time now...So it's time to woman up.

Wednesday, September 29, 2021

It's moi--I am back

I know--bad bad blogger...I have not posted in let's see, that would be FOREVER...A lot has happened to me--I will spare you. But I am still at it and must report I have parted from my animator Sinead Walshe in Ireland..She is great, I won't go into it here...You should hire her if you want some good animation. Details below...
Although I am seeking a new collaborator with animation skills and software, I am also aware that the present covid economy has almost wiped out family movies. Supposedly. And animated family movies are an even more expensive gamble for the suits.
So I am working on a live action script...Yes, I dreamed it like I did my two-full length animated scripts. I may share more later. I will be breaking all the tenets of screenwriting...ooooo, scary.
This is a crazy biz (as you may have heard, heh)... I am trying to adapt...or think out of the box or even find that darn box or whatever...
Send me good thoughts...why don'tcha...
Oh, and if you want to buy my animated scripts or packaged products, despite all this, that would be aces. jkellaw at aol dot com.

Friday, January 3, 2020

She moves! She lives!



NEW YEAR and new progress to report.

My Irish collaborator Sinead Walshe is working on my four main characters for my one-minute trailer for the short cartoon series CHONIE & BOS.  She plucked images from the internet (see below) to give me a choice of feel and tone for each character.

Then she did some drawings and asked me did I like the cat Chonie to have a rounded muzzle or no muzzle, and so on. I thought her first Chonie was too skinny and model-like...kinda unreal world. We wanted her to be a bold, frisky high schooler warts and all (well, not real warts).

This meant some meat on those bones--clearly a kitty who ate food...

Then, since in the trailer Chonie is changeable--angry, jealous, seductive, and so on, Sinead did a compilation of her expressions...EXCITING because finally she MOVED, she was animated...

See above.

This is a very interesting process...I am amped.

Wednesday, May 29, 2019

Progress on my 1-min trailer--the MOODBOARD

I am trying to learn more about animation as a process by making a 1-min trailer for a short-form cartoon project called CHONIE & BOS. Chonie is a vampy HS student cat who is dictating her "memoirs" to a beagle named Boswell...and in the process she begins to see how her sexy ways may be working against her, even with tomcats.

My collaborator is Sinead Walshe of Cork, Ireland. I had commissioned some studies of the four main characters, which she will tweak. But first she created a Moodboard--of images that "say" Chonie--for the background, which will remain static.

In turn, I did sort of a "word" moodboard of words that describe Chonie in the period the trailer will cover:

Girly
Messy
Boy crazy
Logo conscious
Music
Popular icons
You Tubey
Scattered
Fast zippy
Impulsive
Irreverent
Rule breaking
Sassy
Self-centered

We are trying to mesh our visions...


Thursday, September 20, 2018

Tweet Tweet Tweetily Deet

When I became a finalist in the Oaxaca Film Fest , I needed someplace to smug brag.

So I got a Twitter account.

But before I did that, I read up and watched videos about Twitter.

You know the expression, "So much has been written about everything, it's hard to find anything out about it"? Well, that applies.

So finally I just signed up, created some tweets on my projects, hashtagged #animation #cartoons and so on.

I also was told to follow people...so I followed BoJack Horseman (the look and hopelessly sarcastic tone I like for one of my projects), the creator of BoJack (sep account), and some other Hwood spots.

Zap--all their tweets went on my account...chaos. So I muted them. So now I have no idea who sees what.

I have decided it takes time for your excellence to be recognized. Ahem.

Can anyone give me tips? My account also split in two..no idea why.

This is The Blue Bird of Happiness?

My handle is @TheStarLawrence, if you are interested.

Oh--and I didn't win. But it was fun to think about and chat with some tweeters who did win.

Tuesday, June 5, 2018

Hey--Someone in Mexico likes my script

As a screenwriter, you can pretty much wipe out all your bank accounts entering contests, but I learned of a free script contest at the Oaxaca FilmFest9--coming up in October.

For fun, I sent in my feature-length animated script PAW & ORDER.

Today I was informed that 5% of the thousands of scripts sent were officially selected to be involved
--and PAW was one.

The pitch:

It's New York, the future, animals are educated, have good jobs and are on equal footing with humans. In this comedic takeoff on the famous show,  Det Lupine (a wolf) and Sgt Buzzy (a honeybee) partner up to track down the killjoy who stole two human kids' TV satellite dish. They wisecrack with each other, grill suspects, and finally turn over the thief for a riotous trial. Full of puns, crazy jokes, and more fun than the law allows.

I probably cannot journey to Mexico with my stupid knees and ailments, but I am happy anyway...

You have to take the good with the bad, I always say.

Ole!

Friday, July 21, 2017

Working with the "young bunch"

Where the heck were YOU when I
needed you?
Being "a certain age" is apparently the kiss of death in the movie business, much less the cartoon biz. Well, I cannot turn back the clock--so I better turn out the goods, right?

As mentioned below, I am working through a site called Artella.com, put up by some ex-Pixar guys. From our facetime meetings, I see they are mostly 20s-30s Most have spent with a long time, relatively, in the trenches of animation, which is crazy complicated--but maybe not so much in screenwriting, plotting, character development, adaptation of property, and other skills.

Anyway, I needed a video pitch of my project on Artella--and this turned into a monster project for me. I screened a number of videographers and concept artists (they do "still" drawings of characters). The videographers were two brothers, originally from Peru. They shot me for 3 hours...and boy did I learn again that acting is hard and I am no actress.

I also spent several days tracking down the rights to a version of the old Troggs hit WILD THING for my music.

I had my old filmmaking partner make a cut of the videotape and that did not turn out (long story). So I paid the brothers to cut it--and had to urge them to be bold, put in wacky touches--since when did young people become so conservative?

Then we tangled over the volume of the music...They wanted to dial it way back to almost an indecipherable tinkle...I wanted it raucous--you know, like in a CARTOON!

You can see the results to the right--it's under two minutes...

Yes, others also said the music was too loud, but I am OK with it and it's my call.

Sooner or later, you have to "auteur" this stuff.